Mysore paintings are the emblems of beauty. Bangalore, Narasipura, Tumkur, Sravanabelagola and Nanjangud are the centers of Mysore paintings. In modern times, these paintings have become a much sought after souvenir during festive occasions in South India. Stylish demarcation of the images, frail lines, and convoluted brush strokes are some the characteristics of Mysore paintings. In the traditional Mysore paintings, the artists used vegetable and mineral colors made out of pigments of leaves and flowers of various plants and minerals. The sketches were made with the help of charcoal, which was prepared by burning tamarind twigs in an iron tube. The brushes were made of different materials, like squirrel hair, camel hair, goat hair etc. Today the painting is done with commercially available media like poster and water colors. In the ancient times, paper, wood, wall and cloth formed the base of the paintings. In modern times it is done mostly on paper pasted on to a board with glue or some other adhesive medium.
Mysore is the second largest city in the state of Karnataka, India. Mysore established a unique and distinctive form of painting in the 17th and 18th centuries. Mysore Painting is a form of classical South Indian painting, which evolved in the Mysore city of Karnataka. During that time, Mysore was under the reign of the Wodeyars and it was under their patronage that this art from reached its zenith. It was under the rule of Raja Krishna Raja Wodeyar (1578-1617 AD) that the reputation of the Mysore painting reached its highest point. He was well known for his considerable involvement to patronize art and encourage artists. Quite similar to the Tanjore Paintings, Mysore Paintings of India make use of thinner gold leaves and require much more hard work. The most popular themes of these paintings are Hindu Gods and Goddesses and scenes from Hindu epics such as the Mahabharata, the Bhagavad Geeta and the Ramayana.
The most notable and famous among the Mysore paintings is the depiction of the Lord Shrinath, who is supposed to be an incarnation of Lord Vishnu. Another very popular and common theme is Lord Ganesha sitting on his throne. The grace, beauty and intricacy of Indian Mysore paintings leave the observers mesmerized. These paintings are popular for their elegance, peculiar usage of colors and the stress on detailing. The beautiful paintings of Mysore such as Goddess Saraswati playing lute (Veena), Goddess Lakshmi bestowing an abundance of wealth on her devotees, child Krishna etc. really catch the attention of the spectators.
Mysore paintings are the emblems of beauty. Bangalore, Narasipura, Tumkur, Sravanabelagola and Nanjangud are the centers of Mysore paintings. In modern times, these paintings have become a much sought after souvenir during festive occasions in South India. Stylish demarcation of the images, frail lines, and convoluted brush strokes are some the characteristics of Mysore paintings. In the traditional Mysore paintings, the artists used vegetable and mineral colors made out of pigments of leaves and flowers of various plants and minerals. The sketches were made with the help of charcoal, which was prepared by burning tamarind twigs in an iron tube. The brushes were made of different materials, like squirrel hair, camel hair, goat hair etc. Today the painting is done with commercially available media like poster and water colors. In the ancient times, paper, wood, wall and cloth formed the base of the paintings. In modern times it is done mostly on paper pasted on to a board with glue or some other adhesive medium.
The process of making a Mysore painting involves many stages. The first step requires the artist to make a preliminary sketch of the image on the base, which comprises of a cartridge paper pasted on a wooden base. Thereafter, a paste of zinc oxide and Arabic gum, known as 'gesso paste' is made. This paste is used to give a slightly raised effect of carving to those parts of the painting that require embellishments and is allowed to dry. Thin gold foils are then pasted on the surface. The rest of the painting is prepared with the help of watercolors. Only muted colors are used. After the painting is fully dried, it is covered with a thin paper and rubbed lightly with a smooth soft stone. All paintings are courtesy of Art of legend India.
Tanjore Painting is a peculiar, ancient and miniature type of painting named after the place Thanjavur (called Tanjore in English) in Tamil Nadu, India. Tanjore painting is an important form of classical South Indian painting. Tanjore paintings have a very rich heritage. Essentially serving as devotional icons, these paintings depict the Hindu Gods and Goddesses, holy saints and scenes from Hindu mythology in rich vibrant colors.
Tanjore paintings are notable for their adornment in the form of semi-precious stones, pearls, glass pieces and gold. The rich vibrant colors, dashes of gold, semi-precious stones and fine artistic work are some of the chief characteristics of these paintings. They add beauty and culture to a variety of surroundings and decor. The figures in these paintings are large and the faces are round and divine. This art form dates back to a period dominated by the Chola rulers, who encouraged art and literature. These paintings are known for their elegance, rich colors and attention to detail. In modern times, these paintings have become a much sought after souvenir during festive occasions in South India. These beautiful paintings can be given to your near and dear ones for any occasions such as weddings, anniversaries, Diwali and birthdays.
Tanjore paintings have a spiritual background. Like other form of art, this too has many schools of style. Some of the artists are traditionalists, while some believe in creativity and innovation. These are the ultimate forms of expression of love of Godhead, truth, beauty and devotion. Hundreds of devoted artists from Tamil Nadu have kept alive this beautiful form of art and have brought about new innovations to it. Made with meticulous care, these paintings are unique. What sets them apart from Indian paintings in general are the adornments made over the basic drawings with precious and semi-precious stones as well as the beautiful work which gives them a three dimensional effect.
As far as the cost of the paintings is concerned, a lot depends on the age, quality, and subject, intricacy of the work and usage of gold. The creation of this painting involves a lot of dedication and several stages of meticulous art work. The first and primary step is the preparation of a board (wooden plank) for painting. The paintings are made on unbleached cloth (treated with chalk powder and glue) fixed to a wooden board. Next, an appropriate drawing is trace on the treated board. This step is followed for ornamental work where semi-precious stones and glass pieces are stuck to form garlands, jewels etc.
The traced outline is then painted with a combination of chalk powder and gum arabica to create a three dimensional effect. A paste, made of limestone and binding medium, is also used to create 3D effect. Gold leaves and germs of varied hues are used in selected areas such as pillars, thrones etc. The old Tanjore artists restricted their scope to the divine figures and used to mix their natural colors. In modern days, for outline dark brown is usually used and red is used for backgrounds. Red background is distinctive mark of Tanjore paintings, but green is sometimes used. Yellow is used for goddesses, whereas Lord Vishnu is depicted in blue color. The portrayals of the figures in these paintings are brilliant and shining. Almost all the figures have round bodies and almond shaped eyes, which is extraordinary to Tanjore paintings.All paintings are courtesy of Art of Legend India.

